One Direction played the Super Dome last night — or as it’s now called, the Mercedes-Benz Super Dome, which makes it sound less like a stadium and more like one of those bubble-topped, science-fictiony concept cars of the 1950s, but that’s neither here nor there.
My seats were in the balcony. The top, top, top balcony. It was as close as I could get to the stage, considering that every seventh-grade girl from Lake Charles to Pascagoula began calling for tickets five days before they went on sale. And still, I paid twice the face value.
An hour into the show, the band performed a rousing mashup of Iron Butterfly’s psychedelic rock anthem “In-A-Gadda-Da-Vida” and Yaz’s 1982 dance floor smash, “Don’t Go”. (I swear, in the right hands — or right throat — “Don’t Go” could give “And I Am Telling You I’m Not Going” a run for best Please-Don’t-Leave-Me Ballad of all time.) Despite having some decent pipes, One Direction didn’t imbue either tune with Doug Ingle’s throaty, pre-orgasmic churn or Alison Moyet’s throaty, Pall-Mall-tinged desperation, but it was still damn good.
Like the five young men on stage, One Direction’s core audience hadn’t been born when the original songs came out, so they assumed the band’s elegantly arranged, two-for-one cover was a completely new tune. But the handful of parents who’d managed to score tickets knew differently. People of my generation were on their feet, cheering.
And that’s when it happened. A hundred yards below me, at the downstage right corner of the hulking platform that some nameless production company had erected to support the designer sneakers and slim hips of Harry, Liam, Louis, Niall, and Zayn, a dozen bodies rushed the stage. I thought they might’ve been security personnel, but my lorgnette revealed otherwise. They weren’t in t-shirts or uniforms, they weren’t chunky, beefy bodyguards: they were doughy, white-haired men in off-the-rack suits from Joseph A. Bank.