Asshats Of The Week: Bob Parsons, Rick Santorum, Montana’s Alan Hale

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Here’s a quick list of April Fools — though their shenanigans all took place in March, and sadly, none of them were fooling:

1. Bob Parsons made headlines yesterday for posting a video of himself with an elephant he’d killed in Zimbabwe. Today, Parsons provides some backstory:

“This farmer was desperate,” Parsons tells us of his most recent — and most controversial — trip to Africa. “He couldn’t get the herd out of his field. He asked us to come and deal with it.” [Mashable]

And that’s okay. Maybe.

I accept the fact that wild animals — both the ones we like (e.g. polar bears, elephants) and the ones we don’t (e.g. rats, spiders) — can be nuisances and endanger lives. I understand that when human communities and animal communities collide, humans will often win out.

What Parsons didn’t explain is what he’s done — apart from slaughter an animal and hand out GoDaddy baseball caps — to help those communities in Africa of which he seems so fond. Perhaps giving some of his dough for solar-powered electric fences would help? Or maybe building a school?

On his blog, Parsons claims that this kill was nothing out of the ordinary: “Each year I go to Zimbabwe and hunt problem elephant. It’s one of the most beneficial and rewarding things I do.” Now look, you can do what you like with your money — you can spend it on booze or videogames or assault rifles and safaris — but I have a hard time respecting blood-lusty people who travel halfway around the globe for sport killing on the pretense of helping impoverished communities.

2. On Tuesday, Rick Santorum blamed Social Security’s shrinking assets on the fact that there aren’t enough people contributing to the system — because they’ve been aborted.

“We have seven children so we’re doing our part to fund the Social Security system,” Santorum said. “I want children to be living in America and contributing. America’s greatest resource is our people and we’re denying America what it needs, which is more Americans.” [CNN]

Allow me to translate that seriously convoluted logic: Santorum is saying that if abortions were illegal, we’d have more people putting cash into Social Security. And because abortion is legal in the U.S. (despite the efforts of places like, say, Louisiana), the number of people funding Social Security is shrinking.

Of course, Santorum assumes that these children would all grow up to be gainfully employed and pay into the system — which may or may not be the case, given (a) the current economy, (b) the fact that people like Santorum keep defunding education, which weakens the available workforce and, in turn, job growth, and (c) the fact that many of the formerly aborted people would’ve come from low-income homes and would’ve faced an uphill battle in the job market. And never mind the fact that they’d eventually be drawing Social Security themselves.

3. Last but not least, there’s Montana state representative Alan Hale, who argued on the floor of the legislature that drunk driving is a necessary evil. In fact, he basically said that it’s the backbone of the community:

I’ve heard a lot of arguments against stricter DUI laws — heck, I live in one of the few place in the U.S. where you can order cocktails at drive-throughs — but insisting that drunk driving is an important cultural tradition? That’s a totally new one. Bravo.

Still Wanna Make That Sex Tape? A Few More Tips For Exhibitionists [With Video, NSFW]

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Last week, I shared a few suggestions for making a good self-vid. None of it was rocket science — just a bunch of simple, common-sense tips I’ve picked up over a lifetime of avid viewership. What can I say? I take notes.

I was going to post the rest of my suggestions the following day, but then Liz Taylor died, and I wrote about it, which made all the sex talk slightly uncomfortable and awkward — even though, to the best of my knowledge, Liz was not an avid reader of this site, nor did she ever make a sex tape. More’s the pity.

But whatever. That’s behind us now, so for those of you still bound and determined to share your smutty side with complete strangers, here are the rest of my ideas — including my #1 super-serious most important rule of all time. Don’t say I never gave you anything.

P.S. Remember: Xtube embeds are iffy. If something’s not loading, click it to watch it in its original milieu.

P.P.S. Yes, mom, you can stop reading now.

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One More For Liz, For The Road

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I feel like all I’ve done the past 48 hours is write about Elizabeth Taylor — partially because it’s true — but I need to write just a little more.

You see, Liz was fundamental to my college education — the social part of it, anyway. It was in college that I learned how to communicate with people, how to carry on a real conversation, how to make friends and be a friend in return. I didn’t get any of that high school, with its cliques and peer pressure and the nonstop bible verses being thrown my way and the incessant fear of being outed as a boy-kisser.

In college, I began as an unknown. Only a couple of my high school buddies went to Millsaps — which was, and is, a college for nerds — so I reinvented myself. And when I recast myself as the person I wanted to be, I discovered who I really was. (Not surprising, really.) Once I had that part cleared up, I could be honest and open around friends — real friends who liked me for the real me.

One of my first real friends, Estus, was a freak for Liz Taylor movies. Most nights of the week, we’d crack open a case of beer and fire up the bong (it may have been nerdy, but Millsaps was still college) and watch whatever he had on hand. And more often than not, what he had on hand was a film called The Driver’s Seat.

The Driver’s Seat is a novel — a novella, really — by Muriel Spark. It’s the story of a spinster from northern Europe who goes to Italy for…well, for various reasons.

The novel isn’t that good. Spark has an unusual writing style that flattens out time, simultaneously describing events of the past, present, and future. Unfortunately, for a suspense story like The Driver’s Seat, Spark’s approach spoils the ending pretty quickly.

In movie form, however, it’s very, very different. Even though director Giuseppe Patroni Griffi tried to incorporate Spark’s time-flattening storytelling technique, The Driver’s Seat (or Identikit, as it was known most places) remained a fairly suspenseful film. And in typical early-70s style, it was quirky to the point of being nonsensical, but it was a feast for the eyes. Given my mental condition during those get-togethers, visuals were all I really cared about. I couldn’t get enough of it — or her.

Someone’s been kind enough to post the entire film to YouTube, but sadly, it’s not embeddable. Here’s a great clip from the middle of it. The scenes with Liz and Mona Washbourne — whom she befriends on her trip — take place in the past; the others take place in the present. I’ll let you guess which scene is my favorite.

 

 

Elizabeth Taylor’s Final (And Best) Fall

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Today, I was meaning to post a follow-up to yesterday’s list of sex tape tips, but the news of Elizabeth Taylor’s death makes that seem even more trifling and insignificant than it already is.

She was before my time, really — Ms. Taylor. When I discovered her, she was even past her White Diamonds phase. She’d become best-known as a defender of Michael Jackson. A recluse. Eccentric. Full of character, but a shadow of her former self.

In college, a friend introduced me to the 1951 film A Place in the Sun. Taylor looked fantastic — thin and impossibly beautiful, palling around with her real-life gay BFF, Montgomery Clift. In fact, she was so stunning, so perfect, so over-the-top, in a way, that I decided to draft a version for our theatre company a couple of years ago. It was a joy to do, and frankly, it’s one of my favorite shows I’ve ever worked on.

The best part of the film — apart from Taylor’s nonstop glow and Shelley Winters’ incessant, cartoonish whining — is Liz’s collapse when she learns that Monty has committed an unspeakable deed: he’s drowned Shelley Winters. (Never mind that the audience has spend nearly all of the movie hoping for Winters’ demise.)

Taylor is taken upstairs to her room by her mother and a maid and shuts the door. Then, in one of the most amazing shots ever captured on film, the camera follows her through the wall, watching her in a collection of mirrors as she shuffles to the center of the room and collapses onto a rug — not crumples, not kneels, but collapses, falls, like a tree in the forest. It’s amazing.

Thanks, for everything, Liz. We’ll keep watching.

 

Making Your Own Sex Tape? I Have Some Suggestions [With Video, NSFW]

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Self-pics are a bitch.

To create the requisite combo of cool + interesting + saucy, you have to hold the camera at arm’s length and hope you frame the shot just right. More often than not, you crop off an eye, or you notice something hideous in the background that you hadn’t seen before, all because your phone doesn’t have a front-facing camera, thankyouverymuch, Steve Jobs.

Of course, you could take a shot in the mirror, but that feels like cheating to me. (NB: why the hell do folks who take mirror pics always stare at their viewfinders? Look up, people: we can see you.)

All told, the ratio of bad self-pics to good is about 10:1. If we agree that duckface is a bad thing, it’s more like 50:1.

Last year, the New York Times ran a semi-helpful feature on how to take a flattering self-pic. Given my work on Lurid Digs [thoroughly NSFW], my friend Tyler suggested that I write a follow-up piece on self-vids. You know, the sexy kind. And I thought, “What makes you think I’d know anything about dirty movies?” And then I thought, “Okay, fine.”

Before we get started, however, I should mention a couple of things. First, I freely admit that smutty is in the eye of the beholder, and I know that everyone has his or her own turn-ons, but there are a few tried-and-true rules that apply across the board, no matter what your kink may be. (Unless your kink is terrible videography, in which case, you’re on your own.)

Also, I should point out — though it’ll be obvious very soon — that all of the following clips are of guys because that’s what I tend to watch, but again, the rules are more or less the rules, no matter what Skittle you diddle. And last but not least: Xtube embeds are notoriously janky; if something below doesn’t load, just click the video to watch it on Xtube proper.

And so, for what it’s worth, my short list of self-vid DOs, with a few DON’Ts thrown in for good measure — all after the jump.

P.S. Mom, if you’re reading this, maybe you should stop here.

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Love Is A Terrible Thing (And A Lot Like Porn)

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Stuart Sandford, Cumface #6 (stuartsandford.co.uk)

Stuart Sandford, Cumface #6 (stuartsandford.co.uk)

Just so you know: love is a terrible thing.

It’s a distraction, like pornography.

It’s all-consuming, also like pornography.

In fact, love is a lot like pornography, except that love makes you worry, and porn doesn’t, unless you’re the sort of person who worries that you’re eating up too much space on your hard drive with videos organized into handy folders labeled with acronyms like ATM and ATOGM and MMMMFFT, in which case, love is totally, 100% EXACTLY like pornography.

Maybe the only way that love is NOT like pornography is in its gift of empathy.* Love has the unfortunate side-effect of making you identify with complete strangers, including fictional characters. Inside your love-addled brain, love reshapes the movies that you see, the TV shows, the commercials, casting you and your paramour in the roles of hero and victim. Love makes every zombie film a story of you and your honey, cheating death, every sweet undead goodbye a stab in your heart.

Love is even worse when it comes to newscasts of real-world tragedy. They’re almost unwatchable. I usually opt for Family Guy reruns, which don’t have the same effect at all, thankfully.

And yet: love is something that most people aspire to, while only a sliver of the population aspires to porn stardom. Seems like a conundrum to me. Perhaps more people would find love if they opted for careers in the adult entertainment industry. I should talk about that more next week….

 

* Actually, I once wrote a seminar paper arguing that pornography depends on empathy: it assumes that the viewer will identify with someone in the scene. But then I got distracted (not with love, but with hatred for my advisor) and moved on to other things, so I think I’ll drop the argument.

Mardi Gras? Meh

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I think something’s wrong.

By now, I should be covered in glittery residue, reeking of booze and sweat. I should have made a fool of myself at least once and, ideally, made a fool of someone else, too. At the very least, I should’ve paid homage to the corner of Bourbon and Dumaine, sneered at drunk sorority girls on their way to karaoke bars, pondered a meal at Clover Grill and quickly decided against it.

But none of that. I’ve seen no parades, nothing. I did go to the Society of Ste. Anne ball, which is always amusing. But even there, I spent most of my time in corners, talking to friends I haven’t seen in a while.

I outgrew xmas ages ago: it became an ordeal, a gauntlet of social obligations. Carnival doesn’t feel that way — it’s a vacation with pals, really — but something is different. Maybe it’s the length of this year’s season — one of the longest possible. Maybe I’m distracted with work. Maybe I’m older and more worried and less carefree. Or maybe I’m annoyed by the huge crowds, especially the huge crowds in our neighborhood.

Whatever the reason, I’m feeling grouchy this year. The suddenly cold weather isn’t helping. Hopefully I’ll perk up by the time guests arrive for this morning’s open house. And if not, well, at least there’s king cake and the knowledge that it’ll all be over at midnight.

The Benefits Of Getting Drunk: A Manifesto

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Carnival officially begins on January 6 (aka Epiphany, aka the 12th Night of Xmas), but most of us in New Orleans don’t really get into the Carnival spirit until much later. For me, the trigger is usually the Krewe du Vieux parade, which happens about two-and-a-half weeks before Fat Tuesday (aka Mardi Gras).

This year, however, I’m late — late like Rizzo in Grease, to use a theatre queen simile. I’m just not in the mood yet. Maybe the balls and parades this weekend will tip the scale.

My friend Elizabeth, however, is full of the Carnival spirit(s), and she’s penned something to commemorate the season: “The Benefits Of Getting Drunk: A Manifesto”. Whether or not you live in New Orleans, whether or not you celebrate Carnival and Lent, whether or not you sip the Devil’s Urine (as my Sunday school teacher used to call it), it’s well worth your time. Here’s an excerpt:

Sometimes life is terrible. You get divorced. You get laid off. Your loved one dies. Your heart breaks. Your city floods. When it does, most of us soldier on, waking up to a bleak future, plodding through the day, trying not to cry in public, keeping it together so we don’t lose our jobs/annoy our co-workers/scare our children. Merely being alive exposes  us to failure, fear, regret, and loss. Most of us endure these moments, these weeks and sometimes these years, managing to not kill ourselves, until little by little we make life better or, by the grace of time, it just gets better. But during these terrible times, it is perfectly appropriate to want to get the hell out. To get away from the bad that seems like it will never end. And getting drunk can do that for you. Granted, sometimes the drinking can make problems seem worse than they are, but when they actually cannot get worse, when they are really, really bad, go ahead. Get drunk. Forget where you live, whom you live with, your name (old or new) your job (old or new), someone’s absence, someone’s presence, your own presence. Line them up and knock them back. Don’t flip through the old letters, the old photos. Don’t watch the DVD for the 100th time or listen to your song. Don’t try and do the ugly math that is your bank account. They will all be there tomorrow to remind you to remember. Instead, stare blankly ahead of you, don’t look back, and for now, forget.

“The Benefits of Getting Drunk: A Manifesto” at SouthernFood.org

See y’all on the neutral ground.

Loaded Question: Are Republican Wingnuts Pushing Centrists Into Obama’s Arms?

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Gallup released some interesting poll numbers last week — state-by-state figures on President Obama’s approval rating, which averaged around 46.9% in 2010.

It wasn’t the ratings themselves that I found surprising; it was the ups and downs they’ve seen over the past two years.

The map at left shows where Obama has gained and lost on the approval front. Shades of red indicate that he’s slipped more than six percentage points since being elected in 2008. Shades of blue indicate a loss of less than six points. And in the eight darkest-blue states — Alabama, Alaska, Arkansas, Louisiana, Mississippi, Nebraska, Oklahoma, and Texas — Obama has actually gained in popularity.

Which is weird and not-so-weird, all at the same time.

You could argue, of course, that Obama lost the most ground in states where he received the most initial support. After all, he’s had to compromise on a lot of issues, which has made many of his ardent fans angry. Conversely, in states like Mississippi, where Obama’s score was already modestly low, there was almost nowhere for him to go but up.

But personally, I like to take a more optimistic view. Specifically, I like to think that my fellow Southerners are finally beginning to understand how fundamentally screwed-up certain elements within the Republican party are. Sure, there are plenty of sensible Republicans roaming the Capitol, but they’re not the ones who get airtime. That’s given to the extremists, many of whom still sound like they’re fighting to keep America lodged in the 1950s.

I know the Dems are also flawed, and I know there are plenty of extremists on the left who are just as shrill and bothersome as Mike Huckabee and Michele Bachmann. But frankly, I’d rather put my faith in people looking forward than people trying to hang on to an America that hasn’t existed since the Joseph McCarthy was alive — if it ever did. Maybe sensible Mississippians are finally catching on, too.

The 83rd Academy Awards And The Year Of The Inside-The-Falling-Car Slow-Mo

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I’m not a movie person — I don’t often go to them, I don’t often make them — but it seems to me that something happened last year.

Someone had a vision of gorgeous catastrophe: of people in cars falling off bridges, and of high-def cameras strapped to the dashboards, capturing the chaos. Someone had that vision, and she ran with it.

I mean, this can’t be a coincidence, can it?

Salt (around the 1:42 mark)

Due Date (around the 1:46 mark)

And the people behind the truly appalling Inception built a whole freaking movie around it:

There are probably more, but like I said, I don’t watch so many movies. Still: zeitgeisty, no?