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I repeat: I’m so totally marrying Frank Rich.

Update: The ball (which is part of what’s been keeping me busy) was pretty damn good: the costumes were extraordinary (if not as comical as last year), and the evening was mercifully short due to the last-minute cancellation of a couple of numbers, including one of Varla’s that was apparently dependent on costumes that never arrived from the airport. I suppose the 8 hours I spent hovering dozens of feet above the ballroom floor, stapling bunting to the balcony ledge, paid off.

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Sorry folks, but I’ve got way too much on my plate today to come up with anything insightful or humorous or stupid or offensive or blasphemous to say, so why not while away the afternoon with a bit of digital activism by suggesting ever-so-politely to G. W. that he should think twice before opening his prim, twitching mouth in support of a hateful, short-sighted constitutional amendment that would keep fags and dykes from getting hitched?

I mean, if you put it that nicely, surely he’ll understand.

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On the off-chance that some of you New Yorkers have been living under a rock the past couple of weeks, I’d like to remind you that some of our dear friends will be performing at PS122 tomorrow evening (i.e. Wednesday), recounting for a room of complete strangers a few tales of the worst sex they’ve ever had. Let’s just hope that none of us are on their lists.

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Cockfighters, who estimate that there are about 100,000 people who breed gamecocks, contend that Louisiana could lose $206 million in business if out-of-state cockfighters can’t bring their birds here to fight.

— NewOrleansBusiness.com

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I’m sure most of you have noticed a weird trend in spam recently–messages with nonsense subject lines comprised of unconnected, often obscure or archaic words. Well, this weekend, three such emails arrived in my inbox with subject lines bordering on the poetic.

  • leviticus empty sandalwood hebraic brushwork
  • julia moraine incomparable conservatism gee
  • and my personal favorite, ivanhoe

Update: you-know-who just sent me several more from his own inbox:

  • honeycomb apparent inflationary intervention
  • reject affix filmdom delineament antiquity
  • collins anglican pelt afterword megalomania
  • definitive railway fatten enthusiasm
  • and his pick o’ the day, grin hasn’t raindrop aborigine
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So I’m sitting here, not watching the Superbowl, not doing laundry, just hoping to watch The Simpsons in peace, and at the appropriate time, I switch to Fox, but Fox, as it turns out, is not showing the aforementioned animated series and has instead chosen to broadcast Independence Day for, like, the 30 millionth time. (I can only assume Mr. Murdoch’s minions think that, being a popular Hollywood blockbuster, its potential demographic is entirely different from that of America’s most popular sporting event.) I flip around a little, not really wanting to do anything other than lie on the couch and watch TV and laugh (especially after the spectacular-though-gruelling success that was last night), but nothing else is on, so I go back to the aforementioned sci-fi special-effects showcase.

A few minutes later, I find myself strangely affected by the film. All these shots of fiery destruction, of people dying left and right, separated from their loved ones with no chance to utter a final goodbye–it’s the kind of mass-catastrophe stuff that’s terrified me since childhood. (You-know-what only made it worse.) And I have this moment of morbid lucidity, and I realize that the fact of the matter is, although their deaths may not be as spectacular and cinematic as the ones I’m watching now, everyone I love will eventually pass away: my dogs, my parents, my friends…and I can’t even think about him.

Then Fox cuts to a commercial, and I notice I have a tear in my eye, and that tips me off that something is rotten in Demark, because the only time I cry during movies is (a) when I’m watching Lana Turner vehicles or (b) when I’m exhausted and fragile. Then the commercial’s over, and the movie cuts in with a post-apocalyptic shot of the Statue of Liberty’s head, severed and lying among the smoldering remains of New York City, and the cynical, oh-my-god-couldn’t-they-come-up-with-something-more-original me is back, and I realize that DramaRama just kicked my ass is all, and I need a good night’s sleep. Within seconds, I’m seeing through, jaundiced eyes again–and, oh, the things I see:

  • It’s sad to watch people die. Especially pretty people. Especially, especially pretty people who have stirring, swelling, banks of amped-up violin players behind them. (Note for theatre types: you can put Albinoni’s Adagio behind Neil Freaking Simon and have ’em weeping in the aisles.)
  • If trapped in the Lincoln Tunnel during a nuclear-type blast, none of my dogs will be intelligent enough to follow me to safety. Hot, hot dogs they will be.
  • Nothing is worse than bad child actors, except perhaps Jeff Goldblum. Even on a good day, he’s only fit to do commercial voiceovers and play beleaguered scientists to whom no one will listen until things begin going tragically awry. Off with her head.
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As is always the case when my posts get sparse like this, I’ve been busy. It’ll be that way through mid-May, then I get a reprieve for a week or so, and then it starts up again.

My current project is the annual DramaRama festival. I’ve been doing it so long, I can’t even remember how I first became involved. I must enjoy it, though, or I would have bailed ages ago. Or maybe I’m just a masochist.

BTW, the DramaRama line-up is particularly good this year. And moneywise, it’s the best deal in town. If you’re in New Orleans, you ought to come and see it. Or I’ll break your legs.

In other news, my sister just released her new single, with a remix by none other than the artist formerly known as Adamski. It’s not in public release–just for DJs at this point–but you can still get a listen.