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New Orleans is so medieval.

How medieval is it?

New Orleans is so medieval that I learned of the pope’s death on Saturday afternoon not from the television, not from the world wide interweb, but from the church bell, ladies and gentlemen.

I heard the bell strike once, like it always does on the first quarter after the hour. Out of habit I looked down at my wrist, just to see if I was keeping accurate time, but my watch read 2:20. And I thought, “Well, that’s odd. Someone’s slow today.”

A few long seconds later, the bell rang again. Not being a Catholic myself, I called out to Jonno, “Hey, what’s up with the bells? Is this some kinda post-Easter thing you Romans do?” Then the bell rang a third time, and I said, “Oh, nevermind, someone must’ve…OMIGOD, THE POPE’S DEAD!”

Jonno dove for the computer, and sure enough, there on the cover of the New York Times was a stunning pic of JP2, decked out all in white like he was opening for Mariah Carey at the Viking version of Lollapalooza. On site after site, inevitable phrases followed, like “For millions of young Catholics, John Paul II was the only pope they’d ever known.” Ding, dong, the pope is dead.

That’s how medieval New Orleans is.

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To anyone traveling inbound on I-10 Wednesday afternoon, I apologize. I don’t know what came over me.

It started innocently enough: I’d grown weary of the same ten cds in my car and was flipping through radio stations in search of something interesting. And after a couple of scans, I heard the unmistakeable piano riff of “It’s Raining Men” by the Weather Girls. The song’s never been a particular favorite of mine, but it was better than anything else I’d found, so I let it play.

Seconds later, I recalled an episode that happened at the Bourbon Pub nearly two decades ago, a couple of years before I came out (well, came out again, but that’s another entry). Anyway, I was there with my girlfriend, and we were goofing around, and the dj played “It’s Raining Men,” and I starting singing along and doing this little dance, and my then-girlfriend just laughed, thinking it was cute, but later she asked me, earnestly, “Richard, are you sure you’re not gay?”

Like, duh, lady. How many straight men know the fucking lyrics to “It’s Raining Men”? How many would lip-synch the words in the middle of New Orleans’ biggest fag bar? …I mean, sure, I denied it, and I guess I’m a good liar, but come on, sweetie. Clueless girlfriend, there’s a call for you on the white courtesy telephone.

So day before yesterday, when I heard the song, I thought of that and I laughed at the absurdity of it all. Then I had a little nelly break. While driving. Not exactly a safe thing to do–it’s hard to steer with your hands that far up in the air.

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“They are creating a deep and terrible sorrow that is unbearable,” Shlomo Amar, Israel’s Sephardic chief rabbi, said yesterday at a news conference in Jerusalem attended by Israel’s two chief rabbis, the patriarchs of the Roman Catholic, Greek Orthodox and Armenian churches, and three senior Muslim prayer leaders. “It hurts all of the religions. We are all against it.”

Abdel Aziz Bukhari, a Sufi sheik, added: “We can’t permit anybody to come and make the Holy City dirty. This is very ugly and very nasty to have these people come to Jerusalem.”

New York Times

If that’s all you knew of the article, you might think these were moderate, peace-loving religious figures who’d joined forces to condemn a radical, hate-mongering, anti-Semitic or anti-Arab or anti-somethingorother group that was planning to converge on Jerusalem for nefarious purposes. But no: in fact, it’s these guys (and yes, they’re all guys) who are doing the hating. They’re holding hands and singing “Kum By Freaking Ya” and telling anyone who’ll listen how evil homosexuals are and insisting that the international gay pride festival currently scheduled for August should be cancelled.

Calling us ugly and nasty? As opposed to what–all those sweet lil’ suicide bombers and mosque murderers that make Jerusalem such a great place to live? Pot, please meet kettle.

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THINGS I HATE RIGHT NOW

NOSTALGIA: This is nothing new. I say this all the time. But I used to say it because I had this, like, moral aversion to nostalgia. Now I understand that the problem is much more serious. See, last week during a tech rehearsal, some folks started reminiscing about Schoolhouse Rock, and of course they broke into a chorus of “Interplanet Janet,” “Conjunction Junction,” and that adjective song that Blossom Dearie did. And I started feeling nauseous. Honest-to-goddess: nauseous. (Interesting side note: the “algia” of “nostalgia” technically comes from the Greek word “algos,” meaning “pain.”) So apparently I’m allergic to nostalgia. Too bad, because there great money to be made hosting dance nights with earnestly retro themes.

LIVE OAK TREES: In parks, they’re fine. On plantations, they’re fine. When they’re hanging over my backyard, shedding leaves and dropping stinging caterpillars and providing a home for loud, noisy crows, however…well, that’s a different story.

STUPID PEOPLE: It’s like they’ve been hibernating all winter and have suddenly awoken, but they’re not looking for food, they’re looking for ways to annoy me.

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TWO THINGS

1. You know how you’re watching TV and there’s a story on the news about a child molester and they show a pic and it’s some typically dirty old man and you think, “Wow, that’s a dirty old man”? Well apparently, my generation has now entered the child molester age. Funny, it seems like just yesterday when we were the ones being molested…

2. We opened last night. It wasn’t always pretty, and it wasn’t always like we meant it to be, but we made it. Come join us, won’t you?

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The language of persecution is a galvanizing force for groups of all sorts: political, religious, ethnic, sexual, and otherwise. Still, given martyrdom’s recent associations with Islamic extremism and the religious right’s marked fear/loathing of Muslims, it’s a bit unsettling to stumble across The Voice of the Martyrs–a Christian site that, with very few changes, could easily be designed to recruit suicide bombers for Jesus.

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I’m so behind on email that I’m just getting around to one sent about a week ago by my friend Elizabeth, the de facto curator at the Southern Food and Beverage Museum. In said email, she mentions a New York Times article by David Brooks, one of the most admirable, thoughtful, level-headed, socially progressive Republicans I know (and no, believe it or not, those aren’t all oxymorons).

It’s a beautiful piece Mr. Brooks has written, summing up some of the feelings I have about life in general and New Orleans culture in particular. I’m posting it here in its entirety because it’ll be moved to the NYT archive soon and only available for paying customers. (It’s also available at something called the Daily Breeze, but, like, who are those people?) Anyway read it, ignore it, whatever. Frank Rich still ranks first in my book, but David’s jumped a peg….

SATURDAY NIGHT LITE

By David Brooks

Let me tell you a story to illustrate that we are living in a pusillanimous age. I was in New Orleans last Saturday night, dining with a wonderful group of people at a culinary landmark called Antoine’s. Our host had arranged for a remorseless avalanche of delicious food, served in prodigious 19th-century style. There were about six appetizers, including oysters, foie gras and various lobster confabulations. There were main courses aplenty – fish, then crab, then steak.

Then dessert floated onto the table: a meringue pie roughly the size of a football helmet. And with it came coffee, but not just any coffee. It was called “devil’s brew.” A copper bowl was put in the middle of the table with some roiling mixture of brandy-ish spirits inside. Coffee was poured in and the concoction set aflame.

The waiter thrust a ladle into the inferno and lifted up long, dripping streams of blue fire, hoisting the burning liquid into hypnotizing, showy cascades. He poured out a circle of flame onto the tablecloth in front of us. It was a lavish pyre of molten, inebriating java and then, when he swung around to where I was sitting, I turned and asked the climactic question:

“Is it decaf?”

I was sitting there in an orgy of excess. My head was fogged with wine, bourbon, conversation and a couple of hours at the craps tables at Harrah’s, but strong is the power of the zeitgeist. So I did what all of us middle-aged Prufrocks do when coffee follows dinner. I asked, “Is it decaf?”

In this circumstance, this was like Nero pausing during the incineration of Rome to worry about the dangers of secondhand smoke. This was like Henry VIII, lying amid a great mound of gnawed bones and empty steins, remarking, “I’ll take the low-carb mead.” This is like the Marquis de Sade fretting nervously over his leather collection because it might be an affront to animal rights.

If 18,000 calories and four kinds of booze didn’t kill me, there was no way a smidgen of caffeine was going to keep me awake.

And yet we live in the age of the lily-livered, in which fretting over things like excessive caffeination is built into the cultural code.

I blame the people at the top for setting the tone. We live in an age in which the White House is staffed by tidy-desked, white-shirted, crisply coiffed StairMaster addicts, whose idea of sensual decadence is an extra pinch of NutraSweet in the lunchtime iced tea. We’ve got a president whose personal philosophy is: freedom is God’s gift to humanity, but bedtime is 9:30.

This isn’t the empire of an American Caesar; it’s the empire of faux Caesar salad.

I blame parents. Kids are raised amid foam corner protectors and schooled amid flame-retardant construction paper. They’re drugged with a vast array of pharmaceuticals to keep them from becoming interesting. They go from adult-structured tutorials to highly padded sports practices to career-counselor-approved summer internships.

I blame the titans of corporatism. Fitness is now the prime marker of capitalist machismo, so the higher reaches of corporate America are filled with tightly calved Blackberries in human form, who believe that extremism in pursuit of moderation is no vice. They have become such obsessive time-maximizers that all evening, in what used to be known as social life, they keep an eye on the need to be up, fit and early, for the next day’s productivity marathon.

I blame the arbiters of virtue. Sometime over the past generation we became less likely to object to something because it is immoral and more likely to object to something because it is unhealthy or unsafe. So smoking is now a worse evil than six of the Ten Commandments, and the word “sinful” is most commonly associated with chocolate.

Now we lead lives in which everything is a pallid parody of itself: fat-free yogurt, salt-free pretzels, milk-free milk. Gone, at least among the responsible professional class, is the exuberance of the feast. Gone is the grand and pointless gesture.

But at least we have New Orleans. After stumbling out of Antoine’s, some of us headed across the street to a piano bar run by Gennifer Flowers, Bill Clinton’s old flame. And there was Gennifer herself in a black leather miniskirt, belting out a song called “Ya Gotta Have Boobs.”

It was a reminder that no matter how dull and responsible you become, an alternative and much stranger moral universe is always just one slippery step away.

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An open letter to the Irish

Dear Irishmenandwomen of New Orleans:

Please stop celebrating now.

Don’t get me wrong, I love you guys. You’re always good for a joke or a drink or a joke about drinking. And baby, no one has looked that good in green since Tawny Kitaen.

But yo, seriously, cut it out.

Your parades, they’re all over the place. Everywhere I go, every backstreet I take to avoid you, I turn the corner, and you’re there. It’s a little like Aliens, but with green beer.

And your music at these parades–where’s the “Danny Boy”? Where’s the Clannad? Where’s the U2, for freakincrissake? All I hear is Lionel Richie, and honey, he may be black, but he ain’t black Irish.

I’m asking you nicely, now. St. Paddy’s Day is over and done. Please give me back my life and my streets and my regular, horse piss-colored beer. Don’t make me come out there with my tam-o-shanter and my cudgel–I’ll go totally druidic on your asses. I mean it.

Sincerely,

A Partially Irish American Who’s Totally Over It

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not me, but my sentiments

Hey, if you think I’m quiet now, just wait ’till next week.

Despite all the stomach-churning and nail-biting though, when we finally get on stage and start freaking out the squares, it’ll be, like, totally worth it.