The end of innocence? Hardly


This week, give or take, the last pre-COVID babies will be born. Their parents received the news that should have been joyous and instead said, “Oh no, not now.”

Next week, give or take, a new breed arrives. Their parents said, “Oh this is fine, we’ll manage.” Or, “Our child will make the world a better place.” Or, “I’m horny, let’s fuck, and for the last time I’m not wearing a goddamn rubber.”

Or maybe they said nothing at all. Maybe mother and father were overwhelmed, their minds racing from one thought to another: do we have enough toilet paper? did I sanitize my hands? is Pizza Delicious open for takeout or not? Paralyzed by fear, anxiety, and, in many cases, depression, sex was a coping mechanism, a way of tuning out for a few minutes. Or hours, for those who really keep up with their Pilates.

I’m not interested in condemning parents from either group. We do a lot of moralizing these days, but can we please not get all judgy about people who choose to get pregnant or to have a child in the middle of a pandemic? There are bigger fish to fry, folks. Aquariums full of them. (Vegan side note: emptying the aquariums is a fish worth frying.)

No, what interests me is that within my lifetime—sooner than I think—I’ll be speaking to someone, and they’ll say, “COVID? That was before my time.”

It seems so impossible, the same way it did on September 11th, impossible to believe that living memory will run out, that this experience won’t be duct-taped and soldered to our DNA, passed down to generation upon generation upon generation, through an Old Testament’s worth of “begats”. But no, everyone forgets: friends, family, elephants, the owner of the corner store who caught you shoplifting comic books in grade school. Even the internet.

I look forward to forgetting it, too.

Vanishing Point


Inspired by (but not as inspiring as) this.

I am writing blindly.

I know that sounds melodramatic. Old habits die hard. 

But don’t worry, my love–not yet. My eyes are fine, my vision, perfection. It’s the darkness that’s the problem. I’m straining to find light, any light at all: a glimmer, a spark, a particle, a wave.

I had a professor who used to say that light is a particle on Mondays, Wednesdays, and Fridays, and a wave on Tuesdays, Thursdays, and Saturdays. On Sundays we just think about it.

That’s a physics joke. A physics dad joke. I’ve succumbed to dad jokes, the kindest, gentlest, dumbest form of gallows humor. 

I’m as appalled as you are. Let me pull myself together.

* * * * *

Mildly better now. I’ll start over.

It’s a shock, suddenly being unable to see, going blind in the blink of an eye. (That’s not a joke, much less a dad joke, just a cliche sideswiped by poor phrasing.) It reminds me of being a kid, when my friends and I played hide-and-seek at sleepovers. I’d curl up in the darkest corner of the pitch-blackest closet of a house that wasn’t mine, certain that I’d claimed the perfect spot. 

But after five minutes of giggling nervously to myself and not being discovered, the strange scents, the unfamiliar silhouettes of boxes and clothes, began to seem ominous. I knew they were just a bunch of sweaters, but they were scary sweaters. 

Then as now, my eyes opened and shut, opened and shut, trying to clear away the darkness like it were a speck of dust. Now as then, my mouth opens as wide as my eyes. If I could see myself, I’d look like a fish out of water, gasping and awestruck. 

Can a fish be awestruck? 

Sorry, I’m avoiding the unavoidable. Give me a minute. I’ll try again.

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Is “hello” really all we have?


Last fall, I took part in a thoroughly underwhelming workshop on racial equity*. Anyone who walked into that room hoping to learn strategies for improving equality in their community walked away very, very disappointed. Basically the message was, “Live with it. There’s nothing you can do.”

Well, almost nothing. As a throwaway—an afterthought, honestly—one of the presenters admitted that there is ONE thing you can do: say “hello” to everyone. The stranger in the elevator. The co-worker who’s never given you a second look. The homeless woman outside the grocery store. Everyone. And mean it. Make them feel seen, make them feel welcome.

I don’t believe that’s the only tool we have. I can’t believe that. But it’s a start. And it’s certainly easy to do—even easier than wearing a mask, which should be a no-brainer, but apparently….

So, until a better strategy comes along, I’ll say “hello” to everyone, even if you’ve chosen to go maskless for some reason. And you’re welcome to say “hello” to me. Or “hey”. Or “hola”. Or even “‘sup”.

Actually, I’m gonna draw a line at “‘sup”.

*I’m not going to name the group here, but I will say that their organization has an awfully ironic name for one that claims to fight for racial equity. If you’re organizing something for your workplace or community and want to know, email me. I’m happy to share.

Thanks for your concern about New Orleans. I think.


Over the past week, I’ve received emails and texts from friends and family, asking if I’m alright, if I’m okay.

At first, I just thought it was the usual thing, the thing we’re all doing now as we sit at home, waiting out this virus: checking in on folks that we haven’t spoken to in a while. I know I’ve done it–emailed or texted or Facebook Messaged someone who crossed my mind. “Hey, just wanted to let you know I’m thinking about you. Hope you’re holding up well, and I hope to see you in person once all this mess is over.” That kind of thing.

But the calls I haven’t gotten haven’t been that. They’ve come from people who’ve been alarmed by media reports about New Orleans. Rats are swarming through the streets. Florida wants New Orleanians to stay home. So does Texas. And so on.

This is one of the calls I received. It’s from my mother (the adoptive one):

(Yes, she referenced Fox News.)

Now, just to be clear, we do have a problem in New Orleans–a big one. COVID-19 has been tearing through the city, and the percentage of people dying from the disease is higher here than in many places. (Whether that’s due to our medical infrastructure or the fact that the virus has popped up in 11 nursing homes, only time will tell.) Things are likely to get worse this week.

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Arts, culture, and recovery


Earlier today, I wrote an email to some of my students. A few of them had reached out to me with questions about what they should be doing–as citizens and as budding arts administrators–during this challenging, anxiety-ridden time.

I don’t have any definitive answers, but I have a few thoughts, which I’m sharing here for former students, peers in the cultural industry, or anyone else.

Let me be clear: I’ve never been through anything like this, but I’ve definitely been through crises in my life. And though every crisis is unique, our responses to crises tends to follow a common trajectory.

With that in mind, here are a few projections for the current calamity:

1. Life will return to normal. The return won’t be immediate. It will probably be touch and go for a bit. But the upside is that our infrastructure is still in place. After Hurricane Katrina, we weren’t so lucky: our grocery stores, our hospitals, our banks, our schools, all of that had to be rebuilt. That won’t be the case this go-round, but it will still take time for us to find our rhythm. Be patient. Take notes. It’ll help you if this should ever happen again.

2. The arts and culture sector will struggle for a while. Not only will the recovery be slow, but in any city that depends on tourism for revenue (including New Orleans), it will be slightly slower. Hotels will reopen, but guests will be sparse at first–mostly out-of-towners who’ve come to help with treatment and rebuilding. Restaurants will reopen, though probably with smaller staffs and limited menus. Bars will be fine. I mean, obviously. 

Cultural organizations will be important–people will look to them as signs of civic health–but we’ll probably be working with smaller staffs. People will guard their discretionary income until the economy stabilizes. Membership revenue won’t come back right away. However, events will be huge. Festivals, concerts, even galas: these are things that will make people feel normal, the things that will allow everyone to forget for just a minute the anxiety and the facemasks and the hoarding of hand sanitizer. Use them wisely

3. Our way of doing business in the arts and culture sector will shift. If you lived in New Orleans during Katrina, you know that we were hurled into the 21st century literally overnight. We learned to work remotely, to rely on laptops, to text. (Yes, Katrina made that happen for me and many others, way back when T9 messaging was pretty much all we had.) There will be a similar shift now. 

Organizations without strong online presences will change that fact, and fast. We will grow our communities on Facebook, Instagram, and whatever the next Facebook/Instagram might be. We will livestream, we will share our work in every way possible. For some of us, our work may live there so that we can continue to produce it wherever events may take us. 

Revenue will also shift. Contributed revenue will still be important, and there will be a number of special grants available to help arts and culture orgs get back on their feet. But some of our usual sources of support–individuals, foundations, and especially government agencies–will have other priorities. Earned revenue will fill the gaps. And if you’ve never had the opportunity to work on an endowment campaign, just wait. Prepare to get very, very creative.

4. Find partners. When resources are limited, duplication of effort is criminal. If you have spare office space, share it with others who don’t. (Perhaps they can contribute toward the utility bill.) If you have a staff member who’s a grantwriting whiz, loan them out to others (possibly for a fee, if the other org has funds for that). If you have a venue for a concert, a summer camp, a workshop, make it available–again, maybe there’s a fee involved, maybe there’s some bartering, or maybe it’s just for goodwill. The organizations that will handle recovery the best and prepare themselves for future crises are the ones that take this opportunity to deepen their relationships with partners.

5. You are needed now more than ever. This virus will do more damage to our communities than to the people who live in them. When the pandemic winds down, billions of people will have been isolated from friends, family, and coworkers. They’ll need to reacclimate to social life. They’ll need to be reminded how to live in a community.  

There are three things that build community: food, faith, and fun. You’re responsible for item #3. Make it happen. 

This isn’t a situation that any of us would’ve wanted, but it’s the hand we’ve been dealt. It may seem overwhelming, but here’s a trick to help you cope: focus on a task. Put your head down, do your work, and eventually, you’ll look up to find some improvements.

Head down, chin up!

My deepest, darkest, gayest circus fantasy


When I was a kid, I dreamed of being contortionist in a traveling circus. The lights in the tent would dim as I strode into the center ring, wearing a rainbow-glitter unitard bedecked with sequins and appliques and copious amounts of cowboy fringe along the seams (all of which was 100% impractical for a contortionist, but my gay child daydreams demanded fashion at all costs).

Unlike the other performers in this imaginary circus, I wore a mask because–and this is a crucial plot point–I lived a double-life. By day, I was a goody-goody, straight-A student, but at night, I crept out of my house to become the Amazing Ricardo! (I was like eight or something. Cut me some slack.)

Wowing crowds with my unparalleled flexibility was a treat, but it was only half of the fantasy. The other half involved saving the lives of my classmates.

The whole scenario went something like this: the tent was packed and my entire class was sitting on the front row. I had just begun the aerial portion of my world-famous routine when criminals stormed in from every direction. I think they wanted folks to fork over their money and jewelry, but I can’t remember, and it’s not important anyway. What’s important is that (a) the thugs threatened to kill everyone in the place if we didn’t do as they said, and (b) they wanted me to hand over the money from the circus’ safe.

(I am fully aware that the premise is absurd. Why would a contortionist in costume know the combination to the circus’ cash box? Why wouldn’t the robbers speak to our CFO? Why would they rob a circus when they could just as easily knock over a department store or Spencer Gifts and make twice as much money? What was my entire class doing at the circus? At night, no less? Was it a field trip? How did I get out of it? And how was I able to maintain my double-life as a student and circus performer when by definition, a traveling circus travels? Had I hooked up with the only hodophobic circus in North America? Et cetera, et cetera, questions be damned.)

The thugs’ leader intended to rip me apart in front of everyone because I wouldn’t turn over the circus’ cash. He hung me this way and that, trying to extract the combination to the safe, had his men tie me up in knots. Of course–and here’s the payoff–I was a contortionist, so their abuse didn’t bother me a bit, but I pulled a total Br’er Rabbit anyway. I hammed it up with screams and occasional fainting, playing the role of torture victim to perfection. The gasps and squeals from the audience–which again, included every last one of my classmates–brought me far more pleasure than the crowd’s oohs and aahs would have during my usual show.

In retrospect, I suppose the whole thing was like a campy S&M scene you’d find in a big-budget (or low-budget) porn film. Which explains a lot.

Anyway, the daydream came to a glorious conclusion when the police charged into the tent and arrested the robbers. In front of everyone, the cops thanked me for enduring such extreme torture for as long as I did, because it gave them enough time to take out the bad guys. Everybody lived, the crooks went to jail, and I became a hero in front of my classmates–a huge self-esteem boost that this socially awkward, closeted gay Mississippi kid never got in real life.

Of course, I never told my friends about daydreams like this one–I was far too embarrassed. But years down the line, I realized that every kid feels awkward and outcast as they work toward building an adult identity. John Hughes built a career from that wee fact. Ryan Murphy exploited it to no end in Glee. Heathers, Mean Girls, Dazed and Confused, A Christmas Story, Cinderella, Sabrina the Teenage Witch, fucking Spy Kids: nearly every movie about grade schoolers and high schoolers is a story of kids feeling like they don’t belong and paving their own way, triumphing over adversity or the head cheerleader or the school jock or whatever.

Would my childhood have been easier if I’d understood that at the time? Probably not. I might’ve been encouraged to tell close friends that I preferred Wonder Woman to Spiderman, or maybe even that I hated football. But admitting that I liked to kiss boys would’ve been like admitting that I liked to eat cockroaches or make out with my grandmother: not just different, but alien.

What I Get


Mister Jacques likes his sleep. Tania and Sebastian stretch and shake and slip out of bed with me at 4am (I know, I know), but Jacques stays put, sensibly sprawled across our king/twin combo, somewhere on the quilted expanse between John and Peter.

Hours later, when the sun begins to warm the low, green house that shields our bedroom window from dawn’s earliest light, Jacques finally decides to greet the day. He shuffles to the kitchen, waiting beside the refrigerator for me to appear as I always, always do. “How does he know that I am here?” Jacques wonders, unfamiliar with the sense of sound, never guessing that the scratch-scratch-scratch of his paws across our scuffed wooden floors can be heard from the sidewalk. (Sebastian has the same gait. Maybe it’s a deaf thing.)

I could stay at my desk and wait for Jacques to find me, but I don’t. I can’t. Instead, I play it up in pantomime, popping through the kitchen door like a magician’s assistant appearing with a dramatic flourish at a half-assed talent show. It’s the kind of cornball sorcery that’s kept our relationship fresh after all these years.

Jacques wears a patiently bored expression while waiting for his “We survived the night!” treat—the most important treat of the day. I open the back door for him and eventually return to reading, but Jacques needs more than parlor tricks and pee breaks and regularly scheduled snacks to start his day. He needs scratches. Butt scratches. By the billions.

So, Jacques does what all dogs do: he leans against me and presents his ass, waiting for more magic. Depending on my mood, I half-heartedly rub or vigorously scratch the spot just above his tail, until I grow tired and try to go back to reading or writing or whatever I was doing before Jacques inserted himself into my day. But it’s far too late for that: I’ve already hit his switch. He’s on, and he needs more. An insatiable scratching bottom. He backs into me again, and again, and again, until I submit.

By now, Jacques has my full attention. I am as present as he is. I squat so that we can see eye to eye, my knees spread wide, almost to malasana. I meet him on his level as if to say that I see him as an equal, a partner, someone who will never abandon him, never hurt him the way his first owners did. I scratch for a few more minutes, thinking that he’ll eventually get enough, but no, not at all. His ecstasy escalates, 110 pounds of bones, muscle, and lipomas rutting against my chest, pinning me to the sofa, enraptured.

There is nothing to do but laugh and continue scratching. As I struggle to maintain balance, I ask Jacques, “And me, what do I get out of this?” He looks over his shoulder, his tongue licking the air in delight. And I think, “Yes, this is what I get.”

10 More Opening Lines for Unwritten Novels


“High above the cornfields and farms, he stepped out of the airplane as casually as if he were walking into the grocery store, without looking back or telling me goodbye.”

“The bombs began falling at sundown and didn’t stop until shortly before dawn.”

“My first date with Darrell was as awkward as an old Jimmy Stewart movie, but with a much better sex scene at the end.”

“I named Joan the same way I name all my dogs: I scanned the three shelves of wigs lining my bedroom wall, found the one that best matched her personality, and imagined the name of the person who’d wear it to church on Sunday.”

“In my neighborhood, you quickly learn to tell the difference between handguns, nail guns, and fireworks.”

“At 14, I refused to believe the doctors who told me that my condition was fatal, but as it turns out, they were right.”

“I hate three things in this world: neckties, ramen noodles, and businesses that spell ‘country’ with a K.”

“I found mama three days after she died, under the covers of her old double bed, with a copy of People Magazine on her chest, opened to a piece about Angelina Jolie trying raise her children in a ‘normal’ way, whatever the hell that means.”

“Some people say that cooking is like sex, but I enjoy sex too much to believe that.”

“The most important piece of advice I’ve ever gotten came from my aunt Libby, who said, ‘If you want somebody’s attention, slap ’em’.”

Icing on the Cake (for a friend)


My name is Porter, and I’m fat. 

Go ahead, get it out of your system. I’ve heard it all before. Portly Porter. Porky Porter. Piggly Wiggly Pork Bun Porter. If you can come up with a new one, I might even laugh. 

But know this, Mister Scarecrow: my skin is thick. Blubber and scars make for excellent armor, strong as steel, impenetrable. 

this is a lie. my skin, my scars, my pounds of subcutaneous fat, visceral fat: they are armor, but they are not my defense. they are convenient but too obvious. 

no, my defense is more subtle and surprising: when my voice, my sass, my ass expand, they take up room, more room than me alone. they create a second skin–think of it as a force field–that hovers two hand-widths from my body. (i have measured it many times since the time i was a boy: two spans from pinky to thumb when both are extended, currently 18 inches.) it is not armor per se but padding. there is a difference.

when necessary, i slip quietly out of my massive body like the most delicate french exit and step into that faint buffer zone. that is where i hide. like semi-precious stones sewn into the lining of a peacoat by a second-rate smuggler, there i am. 

you are so busy looking at the apparent me, corpulent me, the flesh of me, the affected grandeur of me, that you look right past the real me. if you would only unfocus your eyes, look into the middle distance like you do in your yoga classes full of hungry, skinny people, you would see that i am still here, plain as day. except i am no emerald hidden in the lining of a clever coat. I am not even common chalcedony, cool and dull as the light of a waning moon. i am at best sea glass, manmade and rubbed smooth.  

And here’s the really important part: no matter how clever you think you are, no matter how skinny your jeans, how coiffed your hair, how ripped your abs, I win. I win. 

I win all the time comma motherfucker period.

I win at parties. I’m the life of ‘em. What have I got to lose? I don’t give a shit what people think, I say what’s on my mind, and people love it. 




an alternate metaphor suddenly occurs to me: you look at me and see the moon, but i am hidden in the regolith, the indistinct surface. i am not the man in the moon, visible on cloudless nights from any backyard on earth, but the man on the moon, easily overlooked unless you know to look for me. and even then you would need a telescope. 

between stitches or on the surface of a bulbous satellite, there i am hidden. there i cannot be touched, even when i am doing the touching. and yes, i often do the touching.

being in one place but pretending to be in two is a difficult illusion to maintain. it would be so easy to let it drop.

Yoo-hoo. Look over here, party animal.

I’m the one next to the chip bowl, encouraging you and your undernourished friends to touch a few carbs. I’m the one downing shot after shot of tequila or bourbon or whatever bullshit you’re drinking, and I drink you under the table every time. I’m no lightweight. I win.

And when the sun’s coming up and it’s time to go home, yes, I’m a winner then, too. I’m the one you’ll pick because you’re too afraid of being rejected, too worried about being shot down to put the moves on the other pretty boys and pretty girls. You’re skin and boners, I’m that and more. I’m the low-hanging fruit, the lowest of them all, as low as my standards, as fruity as a fruitcake. I can’t say no to anything, not even you. 

all that is true. i crave earthly delights. food, wealth, the touch of lovers: i do not deny myself anything. i am a glutton. it is my calling card and my achilles heel.

You want to shun me in front of your friends and sleep with me behind their backs? Laugh at me in public and shove me out the back door so no one knows that you’ve known the body of this fat, faggoty fuck? That’s fine with me. Have your cake and eat it, too. There’s plenty of cake to go around. 

the cleverest snail is the one that hides on the surface of its shell, not within it.