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I stopped watching TV a long time ago. We don’t have cable, so all I’ve been able to see in the past 24 hours has been network news. Even the WB–virtual home for America’s detached, unflinching, jaded teens–bumped their regular programming in favor of ABC’s coverage of the events. Flipping through the channels, it’s the same broadcast again and again, with slightly different hairstyles: Tom Brokaw and Peter Jennings repeating and repeating and repeating and the news is always the same. Or it gets worse. I can’t listen for a little while.

I’ve tried to console Jonno, but it’s hard, since I’m not exactly sure what I’m consoling him about. (I must be shaken, too, if I’m ending sentences in prepositions.) So far as we can tell, all his friends and family are okay–some were physically and emotionally closer to yesterday’s events than others, some were pretty distraught, but technically, they’re all okay. His apartment, his neighborhood, it’s all still there, too.

Ultimately, the pain he feels–and that many of us feel–is as nebulous as the as-yet-unnamed perpetrator of the attacks. It doesn’t exactly stem from an “Attack on America” (despite what the media would like us to think); I mean, if the Superdome had been attacked, or even a major airport, it probably wouldn’t have mattered nearly as much. In the same way, the pain doesn’t precisely stem from an attack on Jonno’s hometown, either. What is it, then?

Personally, I think it’s two things. First and foremost, it’s the massive loss of human life, civilian, lives, bystanders, played out on the internet, the radio, and of course, national television. No matter how heartless or disaffected or distant or world-weary people pretend to be, it is impossible to watch that footage of a passenger plane slamming over and over and over into the side of a densely populated office building over and over and over and see people clinging to the sides of the building and falling off the building and trying in vain to jump 100 stories to safety and both buildings collapsing and knowing that hundreds of resue workers doing their job were crushed alongside the very people they’d come in to help…there’s no way of seeing that and not identifying with those faceless people, those dots falling through the sky, the implied dots looking unbelievingly from the windows of their airplane moments before impact, the intensity of fear that must have struck each and every one of them. There is no way to watch that and not have a physical, visceral reaction. The news media know this, know that the trick to telling any story–news feature, commerical, or feature film–is to make the audience identify with your characters; if you can do that, they’ll watch indefinitely. Ergo, there’s a reason they only flashed occasionally to the Pentagon, where hundreds of people likely died, but none of them on camera. We identify with Hamlet, we watch ’till the story’s played out. Same principle here.

I also think Jonno’s particular grief–and mine, in a way, and that of our friends in the city–stems from the sheer suddenness and magnitude of change. The city’s environment has changed forever, both physically and symbolically. Those compass points marking the southernmost limit of the shining borough of Manhattan–of invaluable importance to me and everyone else who’s ever been to New York and stepped out onto the street from an unfamiliar subway stop and said, “Oh, well that’s south, home is this way.”–they’re gone. The center of the Western world is unmarked.

Or is it? I’m guessing that that great void, that yawning nothingness, that stretch of gradually-clearing sky once eclipsed by two world-famous landmarks, will still function as a guide. Like the city’s own phantom limb, we will be able to look to the horizon for some time to come and know that that’s south, because that’s where the World Trade Center once stood.

On a more practical note, all of you wanting to give blood, skip it for now; apparently, there’s more than enough to go around. Give funds instead.

And for all of you non-webloggers in NYC who haven’t emailed me yet, do so now, dammit. I think you’re all okay, but confirm it.

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For those of you in NYC, it’s not just you: life’s surreal everywhere this morning.

Catholic town that it is, New Orleans’ church bells have been ringing non-stop for the past ten minutes. It’s kinda creepy. And the streets are oddly quiet. And George W. Bush has been moved to Louisiana for safety’s sake. I guess that’s one thing in our favor: when it comes to major targets of terrorism, no one thinks of Louisiana.

It’s all like a big-budget Bruce Willis/Sylvester Stallone/Arnold Schwartzenegger film, right down to the sprawling terrorist conspiracy. But as we’ve known all along, Bruce can’t win every time.

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Since it’s now our patriotic duty to 86 the cell phones for a while, I’ve been racing through the blogs, making sure all of you NYC-area folks are ok. So far, so good.

P.S. He hasn’t posted anything yet, but we’ve had word from Chad that he’s okay.

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I’m a big fan of pop-culture studies. Back in my grad school days, I spent countless hours reading endless (and I do mean endless) essays on everything from queer porn to the various manifestations of Madonna (which are, in certain ways, kinda the same thing). For the most part these sorts of papers were written by academic hipsters–people with a good sense of humor out to enlighten and entertain. They were also, quite often, very good writers.

How sad is it then that the new academic examination of The Simpsons looks so dreafully bad? I mean, how could you go wrong? And yet, they apparently do.

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I have a weakness for Nice Jewish Boys. Why? I dunno–though I admittedly find them vaguely exotic. (Remember folks, I’m from Mississippi.)

As a grad student at Tulane, of course, I was like a kid in a candy store. The lush, green campus was and is packed to the gills with Nice Jewish Boys from New Jersey, Long Island, the City. If I wasn’t careful in class, my attention would inevitably drift from the prof’s droning lecture to fantasies involving the underclassmen playing soccer on the quad. It was kinda like being back in junior high, having no control over my nether region. I kept my legs crossed a lot.

Anyway, I was at Kinko’s the other day–ground zero for Nice Jewish Boys in chambray and khaki–and the guy at the counter caught my eye. He looked exactly like Daniel, a kid I had a crush on all those years ago: deep brown eyes, pale skin…. Mmm.

Then I got to the counter. His nametag said “Christian.”

So many layers of irony. I’m sure there’s a joke in there somewhere, but I’m not sure how to get to it.

Whatever, his name/religious preference wasn’t a turn-off–I mean, I don’t fetishize Jewishness itself. I just know my own history, the look I like. It’s the same way with Italian men: I’ve got a long, well-established pattern of lusting after ’em. Christian was a total hottie, foreskin or not. Unfortunately, he never gave me a second glance.

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At 2pm on Decadence Sunday, Royal Street is a sea of glitter, wigs, booze, and smiles. It’s friendly, egalitarian, and very, very festive. No cover, no confines, the Decadence Parade is fun, fabulous (in the most Latinate sense of the word), and completely chaotic. There’s never a set parade route: it’s basically a big ol’ bar-hop led by the Grand Marshals that eventually finds its way to faggotini ground zero, the intersection of Bourbon Street and St. Ann. Of course, most folks–yours truly included–tend to veer off after half an hour or so and make their own parties, but it’s good for a while.

With less than two hours before the parade–which, despite universal drag logic, starts precisely on time every year–today’s skies are black, by all appearances ready to pour the equivalent of four Great Lakes on the French Quarter. Maybe Jonno and I should just cuddle up and skip the festivities this year.

Yeah, right.

Entering makeup mode…now.

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In my head: Old skool MC Solaar, courtesy of the mysterious birthday gift-giver.

In my face: Bizarre error messages from the most cantankerous laser printer I’ve ever used. It’s like a grumpy 200-pound tamagotchi on the edge of my desk.

In my head: Tiny voices telling me to shout at passing strangers; to bitch slap coworkers as we’re having afternoon coffee; to drop my pants and piss in the middle of Esplanade Mall; to put the make on unsuspecting blue-collar workers; to rip off my shirt and do cartwheels in the street… Sounds like the early stages of Tourette Syndrome, no? But despite my childhood rage attacks, I think this current mania is probably attributable to my preemptive dread of Decadence…

Calgon?!

Still no answer.

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All right: who’s the wiseguy (or wisegal) that sent me b’day prezzies without sending along her/his name?

<shake fist> Why I oughtta… </shake fist>