A sequel:

Nina Simone, Little Girl Blue

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Yesterday, The Awl published a story about the books that make authors cringe.

It wasn’t about the new works lining today’s best-seller lists; it was about the books those authors loved as kids, the books that held special places in their adolescent hearts that, in retrospect, probably weren’t so good. In fact, they were pretty lousy. Ayn Rand was mentioned more than once.

Last fall, I built a series of bookshelves around our house to store the hundreds of paperbacks, hardbacks, and no-backs that Jonno and I have collected over the years. And while doing so, I spent a lot of time thinking about those kinds of books — the books that I read and re-read back in junior high and high school, the books that really kind of suck.

The worst of all was the Xanth series by Piers Anthony. If you haven’t had the displeasure, Anthony’s novels take place in a fictional realm called — you guessed it — Xanth. I was a huge, huge, huge D&D/Monty Python nerd back then, and the Xanth novels were tailor-made for my demographic. There were swords and magicians and dragons and all the stuff you’d expect to find in fantasy works, but there was also plenty of sex and naughtiness to satisfy Anthony’s horny, geeky teenage readers. You know, like me.

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It appears that the Turkish army is led by a bunch of power bottoms:

Military service is mandatory for all Turkish men — they can only escape it if they are ill, disabled or homosexual. But proving homosexuality is a humiliating ordeal….

“They asked me if I had any photographs.” Gokhan says, “And I did.”

He had gone prepared with explicit photographs of himself having sex with another man, having heard that it would be impossible to get out of military service without them.

“The face must be visible,” says Gokhan. “And the photos must show you as the passive partner.”

[full story at BBC News; via towleroad; emphasis totally mine]

No surprise, really. I mean, have you watched Turkish oil wrestling? Or been to a Turkish bath? Or seen Midnight Express?

Ladies and gentlemen: this is totally important.

International recording artist/drag terrorist Christeene is working on the launch of her very first album, and the girl needs your help.

Now, you’re probably asking yourself, “Why would the chaotic-neutral hooker-demon of the apocalypse need my help producing an album? Can’t she just beguile some unsuspecting otter with a soundboard to mix that shit around?”

Possibly. But it would mean so much more coming from you.

Just think of all the entertainment she’s provided over the past few years — both in person and on the tubes. Then think of how awesome it would be to have a whole Christeene album, and not just a folder full of mp3s you bittorrented from some scuzzy Dutch website.

And remember, people: Christeene isn’t just about musical meth. She’s philosophical and shit. Check out this weighty moment from in-depth interview with Dangerous Minds:

I think that the reactions that come from this work are so very important and need to be heard. All of them. When it all first started with PJ Raval and myself releasing the video for ‘Fix My Dick’, there were a ton of negative comments…especially from this one person who I think of as a kind of internet comment bully….this lone typist who throws verbal missiles from the safety of their stank couch, ya know? This person was so very upset on so many levels…I was called racist, homophobic, transphobic, classist, and the next Shirley Q Liquor. Wowee! This is rough..I’m thinking. I’ve never experienced this kind of an attack before and it’s personal. It’s angry. It’s throwing labels at me. But at the same time it’s fuckin gorgeous and necessary. The stew has been stirred and hot sauce has been thrown in. Good. Very good.

And if that isn’t enough to convince you to contribute to Christeene’s Kickstarter project — which has just three days to go and is soooo close to making its goal — check out the video pitch below. That Sally Struthers bitch was never so convincing.

(Today’s post at Gaywheels.com)

The past couple of weeks have been slow on the car news front but great for LGBT Americans.

We scored marriage-equality victories in Maryland, New Jersey, and Washington, and when Chris Christie vetoed that New Jersey bill, he was roundly, soundly booed for being on the wrong side of history (as we now say). What’s more, if the recent Prop 8 verdict stands, it would seem that once couples begin marrying in Maryland and Washington, there’ll be no going back.

Even better, a U.S. District Court in California declared the controversial 1996 Defense of Marriage Act — which prevents federal recognition of same-sex marriages by agencies like the IRS — to be unconstitutional. Naturally, John Boehner & the Bigots have appealed, and the case will likely be challenged all the way to the Supreme Court. However, it’s an encouraging start.

Oh, to be a fly on Maggie Gallagher’s wall right now.

But we have to wonder: why the sudden movement? Why this lurching forward? It may have something to do with Millennials, who are beginning to come into their own, and whose decidedly pro-LGBT marriage stance is beginning to play out in the larger culture.

CONTINUED

Last week came the question of what to drink with king cake. Today, some advice on how to get your Fat Tuesday drink on without collapsing in the gutter.

It won’t do you much good for Carnival 2012 (since it passed two days ago), but the same general rules apply to most all-day events, including St. Patrick’s Day, the Fourth of July, and in New Orleans, Jazz Fest and Southern Decadence.

* * * * *

Fat Tuesday (aka Mardi Gras) is different from most other days of Carnival in that it starts early with a slew of events across the entire city, from open-house parties to piecemeal walking parades to the big “official” krewe parades like Zulu and Rex. To do Fat Tuesday properly, you need to be up and out the door — in costume, of course — by 8am.

And you need to walk out that door with a drink in your hand. (Leave the car keys at home, please.)

Here’s where it gets tricky: Fat Tuesday is an all-day thing. If you’re on a parade route like St. Charles Avenue, you’ll probably be there until sundown waiting for the last truck floats to pass. And if you’re in the Quarter, you may be out even longer.

More importantly, Fat Tuesday is a social event. You wanna go out and get staggering drunk? Fine. You and your liver enjoy that on Friday, Saturday, or Sunday night. But on Tuesday, you need to be able to make conversation with only a sliver of slurring.

Here are a few options to keep you in check…

CONTINUED

King cake is an amazing thing.

For starters, it’s only served during Carnival, so in theory, you can only get it between Epiphany (January 6) and Fat Tuesday.* Limited availability makes anything special.

Also, it comes in a vast array of flavors. Some prefer the “traditional” king cake, which doesn’t usually have much flavor apart from the granulated sugar on top and maybe a little cinnamon mixed in the dough. I for one find that completely underwhelming: bring on the Bavarian cream or the apple and goat cheese, please.

However, king cake also presents a major dilemma: what the hell are you supposed to drink with it?

CONTINUED…

Mississippi is a strange place. Travel guides from the 1970s would’ve called it “a study in contrasts”.

On the one hand, it’s conservative to the point of being regressive, even to this day. If you’re not white, male, and heterosexual — in public, anyway — don’t expect to have it easy.

On the other hand, like most Southern states, Mississippi creates space for “others” — especially gays, blacks, and women. And while these others can’t deviate very far from the boxes that straight white men have built for them, they’ve got some wiggle room within the boxes themselves. (Florence King talks about this in Southern Ladies and Gentlemen.)

So despite the fact that gay Southern men have historically been limited in their career choices — florists, college professors, church organists, etc. — as long as they’ve operated within those confines, they’ve been revered and even protected. Goddess forbid that any husband should make disparaging remarks about his wife’s hairdresser in her presence. He’ll get a tongue-lashing at best, or possibly an extended time-out in the bedroom.

This may explain why, when I was younger, Mississippi’s own PBS network chose to air Sew What’s New, hosted by the smart, sassy, flamboyant, hilarious George Trippon. Trippon was a demon with a sewing machine and clearly, unapologetically gay, but like Paul Lynde in the center square, he was gay within his own little box.

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